Her practice is grounded in drawing. She draws every image she catalogues, often intuitively forming accumulations that create a fictional space where these objects can sit side by side. Through printmaking she further manipulates these images, considering the layered contexts and adaptions an image undergoes online. How far have these images travelled from the direct experience they portray, and in what contexts have they previously existed? Foniciello expands her drawings into hanging devices, fabricating objects which exist within the parameters of both printmaking and sculpture. She seeks to imitate spontaneity in her work—just as in her catalogued images— inviting the viewer to question the functionality and reality of the objects and spaces she creates.